Just like any other field, the knock-on effect of the pandemic on the film industry has been far and wide, especially for independent filmmakers. As an industry that requires lots of people to be in one place, one of the most immediate effects of the
Here’s the link to the “deliverables” from the Kathleen Drumm podcast: https://indiefilmto.com/wp-content/uploads/2019/05/Protagonist-Delivery-Schedule1.docx This was provided by Kathleen herself, so make sure to thank her in the comment section of the video below. [media_video teatime_video_unique_id=”efa005ba9a03b871488231ff0dc84ced” teatime_video_url=”https://www.youtube.com/watch?v‹´›sFwIkTcDhz0″ teatime_video_size=”{‹²›video_size‹²›:‹²›size_fluid‹²›,‹²›size_fixed‹²›:{‹²›width‹²›:‹²›640‹²›,‹²›height‹²›:‹²›320‹²›}}” __fw_editor_shortcodes_id=”a4ccde4fd1c5a2ac66bf88656ca60c19″ _array_keys=”{‹²›teatime_video_size‹²›:‹²›teatime_video_size‹²›}” _fw_coder=”aggressive”][/media_video]She also sent me this in an email,
Last Saturday there was this crazy “Festival Of Ice” here in Toronto. It was sick (in the good way)! Tell me what you think of these: Amazing huh!? Outstanding talent. Each sculpture garnered a small gathering but there was ONE that was by far the crowd favorite.
I’ll get straight to it. Just finished up a podcast with Phil Cooke, an international award winning filmmaker from Hollywood who’s filmed in 60+ countries. We were planning on releasing it a few weeks from now but the content was SO actionable that we decided to
No fluff. This prodigious Ultimate Guide is all about answering the questions: How do I get on Netflix as an indie filmmaker? How do I pitch to them? Who do I contact? What types of shows and films do they want? Is it worth it
There’s a busker in Toronto named Steve. The thing about Steve is that he’s brilliant at what he does. And I mean brilliant. Better than most bands you’ve heard on the radio. Yet he’s still a busker. Why? Does he lack talent? No. Does he lack
Tell me if this sounds familiar. You spend months painstakingly working on something — whether it’s a film, a music project, or something you wanna sell — only to receive a standing ovation from your mother and 1 lonely cricket. Believe me, I know what that feels like
Last week I asked you to choose which online course you wanted. And the results are in. Overwhelmingly you chose wanted us to create a six-lesson crash course on Crowdfunding Your Film In 90 Days. You can expect to earn $5k to $20k depending on how much
**Based on Robert Greene’s “48 Laws Of Power” almost verbatim but adapted for filmmaking (as I say in the video below).** Is it just me, or do you feel like there’s that ever present catch-22? You need more funding. But you need a star attached
Don’t you hate it when you work your ASS off for something, and people say “you must be so lucky…” You’re like: I HATE YOU WITH EVERY FIBER OF MY BEING. We’ve all heard of the “success iceberg” but very few people are willing to