You’ve heard the conventional advice on how to “make it” as an artist. BUT it usually boils down to “build an audience” and “have a good story!” We take a different approach and focus on non-vague stuff that actually gets you results — such as pitching, authentic audience building,
Finding people who will produce / fund your film is tough. Let alone finding a reliable crew! It’s like going to hooker downtown, “I can’t pay you but you’ll get full credit for the job… And I’m pretty sure there’s pizza.” We all that Step #2 is
Finding reliable crew to work with is tough. It’s like going to hooker on Nelson St., “I can’t pay you but you’ll get full credit for the job… And I’m pretty sure there’s pizza.” The second step is getting people to believe in your vision, which requires
Finding reliable crew to work with is tough. It’s like going to hooker on 5th Ave., “I can’t pay you but you’ll get full credit for the job… And I’m pretty sure there’s pizza.” The second step is getting people to believe in your vision, which
I’m always afraid every time I start something new. I need coffee. Coffee will help me start. Maybe a muffin. Banana nut. Mmmm.. I’m paraphrasing from Adaptation but it’s true. We create all these mental blocks and “necessities” and we CONVINCE ourselves we need to
The Definitive Guide Before you flip out and are like “WTF, NO. YOU should ALWAYS pay your crew. Even if you’re broke! Even if it’s your first short!”, read the whole thing. The addendum at the bottom clearly says that sound is probably the one